ArtsEtc Inc. 1814-6139
All works copyrighted and may not be reproduced without permission. ©2013 - hoc anno | www.artsetcbarbados.com
All works copyrighted and may not be reproduced without permission. ©2013 - hoc anno | www.artsetcbarbados.com
“So crossing the river
and walking the path
we came at last to Kumasi.” – Kamau Brathwaite
Prologue: The merchant
Did he arrive at sunset’s orange hour
or with the anonymous midday bustle
markets busy before Sabbath—
and evening or noon height, him
stranger with strange wares
looking for a berth
in the fabled city?
Who wants cantos from placards of bewildered widows?
Totems to soft bones of decimated embryos?
Androgynous puppets parading obscenely between certain jars?
—Any credit for dark sayings of Babylon, Bhutan or islands of the sea?
Fifth Avenue needs no merchandise of prophets—
with their Greek vases
their silicon tablets
their first editions
high-speed subways and twin towers—
won’t spare a dime for this Third-World primitive
his ark of Mesopotamian innocence
his naive style.
ii. The new age
“ city of gold,
paved with silver,
ivory altars, tables of horn,” – Kamau Brathwaite
remembrances of ghosts:
masks of indifferent hostility
nightmares we had not imagined
shame applauded across networks
distractions at the frenetic tips of fingers—
privacy, thought, prayer
’itation, Jah—
banished.
iii. A kiss
“It was the bolero, Ramona, the bolero
a kiss of jazz creole
lady with the Rita Dove lips
not forgetting, Maritza
Andean pan flutes breathing reggae
at El Solar casa cultural in Bucaramanga —
Celia Cruz, Lady Day, Sesenne Descartes
Makeba, Piaf, Edith Lefel
souls many, so many, Ramona
lovers scarved with rainbows
scattering galaxies out of sad earth
raising for us pardons, benedictions, homecomings.”
v. Animal man to angel
“the sons of God saw the daughters of men that they were fair; and they took them wives of all which they chose” – Genesis 6:2
In the chronicles of giants
Fire loved a woman of earth
with peacocks at her feet
hibiscus through her locks
and deep dimples under her laughing—
when she betrayed him
(his fantasies bored her eventually)
for a one-boat fisherman and his spectacular nets
flung over green islands
and flying fish—
their son, confused between his elements
took to the airwaves
and broadcast himself Hurucan
furious against surf, hill
defiant lamp.
John Robert Lee is co-editor of this special issue of ArtsEtc, Kamau 85 (No. 31). He is a poet and short-story writer with years of experience in literary journalism. His most recent publications are Sighting: Poems of Faith (2013) and A Bibliography of Saint Lucian Creative Writing 1948-2013 (2013). This poem appeared previously online at www.artsetcbarbados.com.